There is one other image of this object. This image is in the public domain (free of copyright restrictions), and as such we offer a high-resolution image of it. See our image rights statement.

 

See more objects with the tag artists, collectors, figures, rococo, water, royalty, gardens, curvilinear, print collectors, shells, nature, vines, fruit trees, nymph.

See more objects with the color lightgrey darkgrey grey dimgrey darkslategrey or see all the colors for this object.

Object Timeline

1920

  • We acquired this object.

2006

2016

2021

  • You found it!

Print, Triomphe de Pomone (Triumph of Pomona), from Nouveaux morceaux pour des paravants (New Designs for Screens), 1740

This is a Print. It was after François Boucher and published by Nicolas de Larmessin IV and print maker: Charles Nicolas Cochin the younger. It is dated 1740 and we acquired it in 1920. Its medium is etching and engraving on white laid paper. It is a part of the Drawings, Prints, and Graphic Design department.

This design for a folding screen panel represents the allegory of Pomona, the Roman goddess of orchard fruits. It was etched and engraved as part of a series of folding screen designs. Boucher’s composition can be divided into three parts. The lower section shows a circular courtyard and a design for a fountain bordered by a shell-covered grotto with a grotesque mask. This serves as a pedestal upon which a shepherd, shepherdesses and donkey are arranged in picturesque composition in a bucolic setting that is filled with overflowing baskets of orchard fruits. In the background is a rustic landscape, complete with a cottage and a well. Leaves and vines frame the design, and the overall composition is a microcosm of the pastoral genre favored by Boucher. In this case, the pastorale has merged with the genre of mythological allegory and Boucher’s propensity for rococo iconography (in the manner of Juste-Aurèle Meissonnier) to produce a wholly ornamental composition. While this design probably was not realized, Boucher follows the example of artists such as Antoine Watteau, Claude Audran, Jacques de Lajoüe, and Nicolas Lancret who designed folding screens, as the latter became a ubiquitous part of French interior furnishings from the late seventeenth-century onwards.

This object was donated by Advisory Council. It is credited Purchased for the Museum by the Advisory Council.

Its dimensions are

Platemark: 52.3 x 26.3 cm (20 9/16 x 10 3/8 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.)

It is inscribed

On plate, lower left: F. Boucher inv.; lower center, TRIOMPHE DE POMONE; lower right: Cochin Filius Sculp.; lower center: A Paris chez De Larmessin graveur du Roy, rue des Noyers à la deuxieme Porte cochere à gauche entrant par la rue St. Jacques A.P.D.R.

Cite this object as

Print, Triomphe de Pomone (Triumph of Pomona), from Nouveaux morceaux pour des paravants (New Designs for Screens), 1740; Print Maker: Charles Nicolas Cochin the younger (1715 - 1790); France; etching and engraving on white laid paper; Platemark: 52.3 x 26.3 cm (20 9/16 x 10 3/8 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.); Purchased for the Museum by the Advisory Council; 1921-6-203-5

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian’s Terms of Use page.

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=CH>{{cite web |url=https://www-6.collection.cooperhewitt.org/objects/18220603/ |title=Print, Triomphe de Pomone (Triumph of Pomona), from Nouveaux morceaux pour des paravants (New Designs for Screens), 1740 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=13 May 2021 |publisher=Smithsonian Institution}}</ref>