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Object Timeline
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Drawing, Triumphal Arch with the Royal Swedish Coat of Arms
This is a Drawing. It was created by Louis-Gustave Taraval and made for (as the client) Adolphus Frederick, King of Sweden. It is dated 1767 and we acquired it in 1911. Its medium is pen and black ink, brush and gray, green wash, watercolor, graphite on white laid paper. It is a part of the Drawings, Prints, and Graphic Design department.
A grand triumphal arch looms against a cloudy sky, its stately silhouette surmounted by a victor’s chariot. Below, diminutive figures gesture in admiration at the Neoclassical edifice. This careful pen and ink design by the Swedish artist Louise-Gustave Taraval was likely made to commemorate the victories of King Adolphus Frederick of Sweden against Prussia. The tradition of erecting triumphal arches to celebrate military success originated in the Roman Republic. The practice regained popularity in the eighteenth century, as great numbers of artists and designers traveled to Italy where they absorbed architectural lessons from the ancient world. The triple arch of Taraval’s design has precedents in Rome’s Arch of Septimius Severus (AD 203), and the Arch of Constantine (AD 312). Court pageantry could use archways as focal point for parades, fireworks and other festivities. Although Taraval was a court architect for Louis XV of France, he made several designs for Swedish court activities. The design of the arch features the triple crown of the Swedish coat of arms and on the keystone is the symbol for the Order of the Polar Star, a chivalric order created by the King of Sweden in 1748.
This object was
donated by
Advisory Council.
It is credited Purchased for the Museum by the Advisory Council.
- Drawing, Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet,...
- pen and gray ink, brush and watercolor, gouache, gold paint, black chalk on....
- Purchased for the Museum by the Advisory Council.
- 1911-28-214
- Drawing, Perspective Design for a Painted Dome and Cupola of a Church
- pen and black ink, brush and gray wash on off-white laid paper.
- Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund.
- 1938-88-3461
- Mount (France)
- gilt bronze.
- Gift of Jacob H. Schiff.
- 1904-20-10
Our curators have highlighted 6 objects that are related to this one. Here are three of them, selected at random:
- Staircase Model (France)
- walnut.
- Gift of Eugene V. and Clare E. Thaw.
- 2007-45-22
- Print, Carceri Series, Plate XIV
- etching on white laid paper.
- Gift of Gertrude W. Lewis.
- 1959-182-12
- Drawing, Triumphal Arch on an Ideal Piazza
- pen and black ink, brush and blue, green and yellow watercolor on cardboard.
- Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund.
- 1938-88-4138
Its dimensions are
46.9 x 56.3 cm (18 7/16 x 22 3/16 in.)
It has the following markings
D C BLAUW.
It is signed
Signed in pen and black ink, bottom right: Taraval; in pen and black ink, within ruled border: inv. Taraval fecit.
It is inscribed
Inscribed in pen and black ink, upper right, within ruled border (by later hand), in pen and black ink: D. 62; in pen and brown ink, verso: Projet demand de Su de pour la ville de Stockholm en 1767- / dessin et compos par L.G. Taraval, architecte, inspecteur des batimens du Roi / L G T (enclosed in monogram)
Cite this object as
Drawing, Triumphal Arch with the Royal Swedish Coat of Arms; Louis-Gustave Taraval (French, 1738 – 1794); France; pen and black ink, brush and gray, green wash, watercolor, graphite on white laid paper; 46.9 x 56.3 cm (18 7/16 x 22 3/16 in.); Purchased for the Museum by the Advisory Council; 1911-28-282
This object was previously on display as a part of the exhibitions Hewitt Sisters Collect and The Cooper-Hewitt Collections: A Design Resource.
