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Object Timeline
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1902 |
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2014 |
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2021 |
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Square (Egypt)
This is a Square. We acquired it in 1902. Its medium is wool and its technique is plain weave with discontinuous wefts (slit tapestry). It is a part of the Textiles department.
Woven portrait busts were a popular way to decorate clothing and soft furnishings in late Roman (third-fourth century C.E.) and Byzantine (fourth-seventh century C.E.) Egypt. Records show that woven busts sometimes portrayed real people. For example, the Emperor Gratian (d. 383 C.E.) is known to have sent the Consul Ausonius a tunic featuring a woven portrait of Constantius. While this bust of a woman may represent a real person, the fragment contains no identifying attributes. The carefully-shaded jewels on the surrounding frame resemble the cabochon rubies and roughly faceted emeralds used in fine jewelry, suggesting that she was a woman of status. A depiction of the Empress Theodora in the Basilica San Vitale uses similar shading to depict the Empress’s jewels.
This object was featured in our Object of the Week series in a post titled Mystery Woman.
This object was donated by John Pierpont Morgan.
- Hanging, Binary Traces: Kay
- cotton.
- 2007-33-1
- Poster, Blowing in the Mind/Mister Tambourine Man, 1968
- lithograph on wove paper.
- Gift of Sara and Marc Benda.
- 2009-12-25
- Book, Things I Have Learned in My Life So Far, 2008
- digitally color printed and die-cut cardboard cover with 15 digitally color....
- Gift of Stefan Sagmeister.
- 2011-34-6
Our curators have highlighted 9 objects that are related to this one. Here are three of them, selected at random:
- Poster, John Lennon, 1967
- offset lithograph on white wove paper.
- Gift of Various Donors.
- 1981-29-511
- Band From A Garment Or Hanging (Egypt), 6th–7th century
- wool.
- Gift of John Pierpont Morgan.
- 1902-1-32
- Button (England), late 18th century
- stoneware.
- Gift of Eleanor and Sarah Hewitt.
- 1925-2-6-a
Cite this object as
Square (Egypt); Previously owned by Stanislas Baron ; wool; 1902-1-72
This object was previously on display as a part of the exhibition Maira Kalman Selects.