In his 1974 New York subway map, Massimo Vignelli used an eight-color palette to communicate the complex system, assigning each line a specific color. Critics found the diagrammatic plan too abstract, but many aspects of the design, including the color-coding of the lines, were retained in future iterations.
Vignelli’s influential posters and information systems employ horizontal grid lines as visual and structural elements.
Zeisel collaborated with a number of ceramics manufacturers around the world. This white ovoid teapot with a fluted opening and delicately arched handle was manufactured in Russia by the Lomonosov Porcelain Factory (formerly the Imperial Porcelain Factory).
This iconic poster accompanied the record album, Bob Dylan’s Greatest Hits. The design emerged from two independent sources of inspiration: the hair reflects the scrolling linear patterns of Islamic decoration, while the stark line of the silhouetted profile derives from the famous self-portrait of the avant-garde artist, Marcel Duchamp.
Apple introduced the iPod, an all-white, personal music-player, in 2001, showcasing their now-iconic minimalist aesthetic. By 2009, the firm’s smaller iPod Nano was available in vibrant metallic colors. This shift reflects a change in the market for personal technology devices—a change that allowed for a greater range of choice and personalization.
Apple introduced the iPod, an all-white, personal music-player, in 2001, showcasing their now-iconic minimalist aesthetic. By 2009, the firm’s smaller iPod Nano was available in vibrant metallic colors. This shift reflects a change in the market for personal technology devices—a change that allowed for a greater range of choice and personalization.
Apple introduced the iPod, an all-white, personal music-player, in 2001, showcasing their now-iconic minimalist aesthetic. By 2009, the firm’s smaller iPod Nano was available in vibrant metallic colors. This shift reflects a change in the market for personal technology devices—a change that allowed for a greater range of choice and personalization.
Apple introduced the iPod, an all-white, personal music-player, in 2001, showcasing their now-iconic minimalist aesthetic. By 2009, the firm’s smaller iPod Nano was available in vibrant metallic colors. This shift reflects a change in the market for personal technology devices—a change that allowed for a greater range of choice and personalization.
Apple introduced the iPod, an all-white, personal music-player, in 2001, showcasing their now-iconic minimalist aesthetic. By 2009, the firm’s smaller iPod Nano was available in vibrant metallic colors. This shift reflects a change in the market for personal technology devices—a change that allowed for a greater range of choice and personalization.