Drawings, Prints, and Graphic Design | Departments | Collection of Cooper Hewitt, Smithsonian Design Museum

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The Virgin Mary is seated prominently at center, with baby Jesus on her lap. She sits against a high wall, at right, with stone buildings extending into the distance behind her. To the left is a meadowy landscape with rolling hills and river or stream running through it. She wears long, draping robes and a modest headcovering, her calm gaze directed toward the child in her lap. Jesus is depicted as at about 1-2 years of age, apparently squirming against his mother’s embrace, with chubby cheeks and pudgy arms. In his left hand he holds a round fruit.

Print, The Virgin Sitting by a Wall
engraving on white laid paper.
Bequest of George Campbell Cooper.
1896-3-13

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

In this open clearing of the forest, there are two women on the right side. One is seated at the bank of the stream while the other is about to step in. To the left of the women, there is a man standing in the stream looking at both of them. In front of him are goats and cattle that have just crossed the stream to continue their journey.

Print, The Ford, 1634
engraving on light brown paper.
Bequest of George Campbell Cooper.
1896-3-129

This object is part of the Drawings, Prints, and Graphic Design collection.

This group traveling through the countryside.They are surrounded by different types of trees and rock formations. At the front of the group, the Virgin is sitting on a camel and is flanked by an angel on each side. St. Joseph is behind these figures carrying the family's belongings.

Print, Flight into Egypt, ca. 1630–1631
etching on laid paper.
Bequest of George Campbell Cooper.
1896-3-128

This object is part of the Drawings, Prints, and Graphic Design collection.

A portrait of a man who is elegantly dressed. He is wearing a dark colored top and pants. The man is turned to his right but looking at his left. He is wearing a cloak with his right hand holding it at the bottom of the portrait. At the bottom of the print, there is an inscription of the title and the artist's name.

Print, Portrait of Lucas Vorsterman I, from Icones Principum Virorum,...
etching and engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-127

This object is part of the Drawings, Prints, and Graphic Design collection.

A portrait of a man who is looking directly at the spectator. He is elegantly dressed.The man's head, facial features and top part of his body are clearly visible. However, as you make your way down the print the lower part of his body has been lightly sketched by the artist. His hands are both visible, his right hand holding up the mantle that is draped over the right shoulder while the left is resting on his hip. At the bottom of the print, there is an inscription that reads the title and the name of the artist.

Print, Portrait of Justus Sustermans, from Icones Principum Virorum, 1630–1641
etching on paper.
Bequest of George Campbell Cooper.
1896-3-126

This object is part of the Drawings, Prints, and Graphic Design collection.

A portrait of man who is looking to his left. He is dressed in an elegant fashion. He is wearing a buttoned down shirt with stripes as the dominant feature. The shirt also has a frilly collar and frilly sleeve ends. He is carrying his mantle over his right shoulder which is being held up by his right hand. There is an inscription at the bottom of the print which has the title and the name of the artist.

Print, Portrait of Paulus Pontius, from Icones Principum Virorum, 1630–1641
etching on laid paper.
Bequest of George Campbell Cooper.
1896-3-125

This object is part of the Drawings, Prints, and Graphic Design collection.

A portrait of a man standing in what appears to be a doorway. This is seen by the column that is behind the man on the left side. The man's head, facial features and top part of his body are clearly visible. As you make your way down, the rest of the man's body is slightly sketched in by the artist. He is wearing a cloak which is being held closed by his left hand.

Print, Portrait of Adam van Noort, from Icones Principum Virorum, 1630–1640
etching on off-white laid paper.
Bequest of George Campbell Cooper.
1896-3-124

This object is part of the Drawings, Prints, and Graphic Design collection.

A portrait of a man sitting looking directly at the spectator. The man's head, facial features and top part of his body are clearly visible. As you make your way down the portrait, the rest of the man's body is slightly sketched in by the artist. He is wearing a cloak which is being held closed by his left hand. In the background, there is a column to the right and a dark sky to the left. At the bottom of the print is the title and name of the artist.

Print, Portrait of Frans Francken, from Icones Principum Virorum, 1630–1641
etching and engraving on paper.
Bequest of George Campbell Cooper.
1896-3-123

This object is part of the Drawings, Prints, and Graphic Design collection.

A bust of man sitting on the top of a platform which has the person's name on it. The bust is looking back at the spectator. The pedestal has two busts of soldiers wearing helmets (one on each side) looking away from each other. The platform itself has Latin inscriptions on it.

Print, Title Page, Icones Principum Virorum
etching and engraving on paper.
Bequest of George Campbell Cooper.
1896-3-122

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

A sketch of a man. The face of the man is fully filled in where features such as hair, eyes, nose, lips and facial hair are fully visible. The remainder of the body and outer garments are lightly outlined in pencil.

Print, Self-Portrait of Anthony van Dyck, from Icones Principum Virorum
etching on laid paper.
Bequest of George Campbell Cooper.
1896-3-121

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

A sketch of a man. The face of the man is fulling filled in where feautures such as hair, eyes, nose, lips and facial hair are fully visible. The remainder of the body and outer garments are lightly outlined in pencil. He has his hands tucked below the outer garments. At the bottom of the print, there is a Latin inscription which includes the title and name of the artist in the lower left hand corner.

Print, Portrait of Pieter Brueghel the Younger, ca. 1636
etching on laid paper.
Bequest of George Campbell Cooper.
1896-3-120

This object is part of the Drawings, Prints, and Graphic Design collection.

Etching of the appearance of the Virgin and Child to Saint Anthony, depicted in the lower right corner as a muscular, middle-aged man in monk’s habit and bare chest leaning on the ground against a tall tree trunk with a vine growing around it. Next to Anthony, whose head is surrounded by radiant holy halo, are an open book, a bell attached to a T-shaped wooden cross (attributes of Saint Anthony of Egypt) and a rosary string. Saint Anthony looks up to a cluster of clouds carrying the Virgin and Child with nimbus and four putti. The Virgin and Child gaze directly at Anthony; a beam of light emanates from the Virgin and Child towards Anthony. The surrounding landscape is hilly with some trees on the background. Etching is after a painting by Simon Vouet.

Print, Virgin and Child in the Clouds, 1637
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-119

This object is part of the Drawings, Prints, and Graphic Design collection.

At the center of the hunting scene of this engraving, a rampant male lion is biting into the belly of a man who is falling to the ground, while three horseman attack the lion with spears. The falling man's eyes are wide open and face the viewer. On the lower left corner, a lion or lioness is fighting with a man holding up a dagger, while a second armed man on foot approaches from the left. In the lower right corner, a man lies apparently lifeless on the ground. The two lions, four horses, and seven men are depicted in a close cluster, with their muscular bodies entwined in an impetuous battle that captures the fear of death. In the background, rocky outcrops, sparse shrubs and trees, and a cloudy sky. The dramatic scene reminds of the 'Lion Hunt' painting by Peter Paul Rubens.

Print, Great Lion Hunt, 17th century
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-118

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Ste. Martha

Print, Ste. Martha
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-117

This object is part of the Drawings, Prints, and Graphic Design collection.

A castle is located in the lower left hand corner. It is situated on top of a mountain surrounded by several trees and rock formations. Its strategic position gives a view of the valley below which has a river flowing in sidewiding pattern. Between the river and the mountain is a small village which is made up of several buildings. At the bottom of the print, there is a Latin Inscription.

Print, Aurora: Landscape at Dawn, 1613
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-116

This object is part of the Drawings, Prints, and Graphic Design collection.

Jupiter and Mercury are sitting in the lounge area while Philemon is attending them. Baucis is the background working in his workshop. There is a Latin Inscription at the bottom of the print.

Print, Jupiter and Mercury as Guests of Philemon and Baucis, 1612
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-115

This object is part of the Drawings, Prints, and Graphic Design collection.

Judge Papinian is lying on the floor after his beheading. He is surrounded by several soldiers who appear to be in a celebratory mood. This is by the look of happiness aon their faces. Several of the soldiers are holding weapons in their hand. There are also several figures in the background who have expressions of shock on their faces upon coming onto the scene. The figure in the middle is being held up by his companions so as not to fall onto the floor. At the bottom of the print, there are several Latin Inscriptions.

Print, The Beheading of the Roman Judge Papinian, Plate 5 from "Thronus...
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-114

This object was made by Christoffel van Sichem I.
This object is part of the Drawings, Prints, and Graphic Design collection.

Desiderius is sitting in three quarters view with a pensive look on his face. He is wearing a winter hat. He is also wearing a coat over a robe which is tied at the waist. He has his hands crossed before him. Below the portrait are Latin Inscriptions whihc detail the name of the potrait along with the artist's and publisher's names.

Print, Portrait of Desiderius Erasmus, ca. 1630
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-113

This object is part of the Drawings, Prints, and Graphic Design collection.

Saint Dominic is in the center oval looking at the heavens in prayer. He has a star on his forehead. In his right hand he is holding a crucifix and lily. In his left hand he is holding a small church and a rosary. In the foreground, there is a skull, orb and a dog holding a torch in its mouth. Around the oval frame, there are several smaller ovals which contain scenes from Dominic's life. There is also a Latin Inscription below the ovals. Below the inscription are the artist's and pubisher's names.

Print, Saint Dominic, ca. 1630
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-112

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Judith, from the series "Heroes of the Old Testament"

Print, Judith, from the series "Heroes of the Old Testament"
engraving on off-white laid paper.
Bequest of George Campbell Cooper.
1896-3-111

This object is part of the Drawings, Prints, and Graphic Design collection.

In the center foreground, Christ is being baptized by Saint John. Both men are surrounded by heavenly figures on each side. Some of the figures are just looking on while others are playing different musical instruments such as harps and violins. Above the two men, there is a dove flying which is a symbol of the Holy Spirit. At the very top of the print, there is a light eminating from the heavens and shining onto the men and the dove. In the lower right hand corner of the print, there is Latin Inscription which appears to be a biblical phrase.

Print, St. John Baptizing Christ, ca. 1600
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-110

This object is part of the Drawings, Prints, and Graphic Design collection.

A winged angel raises their arms in the gesture of placing a simple crown on the head of the Virgin Mary, seated, with baby Jesus on her lap. She sits upright, on a tasseled cushion on a wooden bench, her gaze directed calmly toward the viewer. She is haloed by blank space on the page, cutting a bright circle from the regular, thin lines that define the sky behind her. Her face is round and smooth with small features, and her hair flows out behind her shoulders in long, neat ringlets. Her dress falls over her bottom half, to the ground, in neat, bright folds, which crinkle into smaller folds as the fabric reaches her feet. The Christ Child on her lap is dressed in a ruffled garment, his pudgy arms, legs, and feet exposed. He looks disinterestedly away and to the left. His right arm is held out, and a small bird is perched on his hand. A halo in the form of a cross emanates from his head, articulated by white space punctuated with thin, straight lines.The section of the scene before him is illuminated brightly, and the portion at his back is distinctly darker. To the left of the group, and in the background, a band of curling clouds stretches over a medieval waterside town, with a church visible rising above other structures.

Print, The Virgin Crowned by an Angel, 1520
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-11

This object is part of the Drawings, Prints, and Graphic Design collection.

The Holy Family is in the center of the picture. The Child has a radiating light eminating from him while the Virgin is kneeling in front of Him. Joseph is to the right of the Virgin feeding the donkey. Shepherds are located to the left of the child while there are two angels on the right looking at the child in reverence and adoration. The artist's name is located at the bottom of the print.

Print, The Adoration of the Shepherds, after 1609
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-109

This object is part of the Drawings, Prints, and Graphic Design collection.

A young boy in frontal view located below a tree. He is dressed in elegant clothing with a pointed hat, puffed up collar with a vest and pants outfit, He is holding a bird in his right hand. While holding the bird, he is climbing onto the back of a large shaggy dog. In the background, behind the tree, can be seen the faint outline of a town. At the bottom of the print there are Latin Inscriptions.

Print, The Dog of Goltzius, 1597
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-108

This object is part of the Drawings, Prints, and Graphic Design collection.

A woman in frontal view standing below a tree. She is lightly covered in a shawl or robe. She is looking down and reading a book which is held in her right hand. Her left hand is resting upon a skull which is placed on a rock. Behind her at the very top of a cliff there is a cruifix with a person kneeling in front of it. Below the cliff there is a town where houses and hills can be seen in the background. At the bottom of the print there are two Latin Inscriptions.

Print, St. Mary Magdalene Penitent, 1585
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-107

This object is part of the Drawings, Prints, and Graphic Design collection.

Three figures are on standing on the ground. They are the archangels Michael, Gabriel and Raphael. Michael is on the left which is arm raised toward the sky. Gabriel is in the middle with a spear stabbing into a demon at his feet. He is also looking toward the sky as well. Raphael is on the right in a kneeling position and is embracing a child in the mode of protection. Both figures are looking toward the sky as well. Above them are the Virgin and the Christ Child sitting on a cloud looking down on the angels.

Print, The Archangels Michael, Gabriel, and Raphael Adoring the Madonna and...
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-105

This object is part of the Drawings, Prints, and Graphic Design collection.

Christ has been taken down from the cross and is about to be entombed by several of his disciples. One disciple is at his feet while two are holding his arm and upper body. The disciple holding the arm is wiping away a tear from his eye. Behind the disciples, there are several people with expressions of sadness and despration on their faces. In the background of the people, there is a city on a hill which represents Jerusalem. There are also three crosses on the top of a second hill (the hill of Calvary), where they are being disassembled by men.

Print, The Entombment, ca. 1588
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-104

This object is part of the Drawings, Prints, and Graphic Design collection.

Titian is in a seated pose with a three quarters view. He is wearing a fur coat over his vest and shirt. He is wearing a cap covering his head. This gives the picture a feeling that it was drawn in a cold weather setting. Titian's eyes have a look that can be described as pensive or reflective as he looks off into the distance. At the bottom of the print there is a Latin Inscription which has the date and title of the Print.

Print, Portrait of Titian, 1587
engraving on off-white laid paper.
Bequest of George Campbell Cooper.
1896-3-103

This object is part of the Drawings, Prints, and Graphic Design collection.

Christ is hanging on the cross with several figures at the bottom of the cross looking on. To the left of the cross is the Virgin looking off toward the distance. In the center is St. Mary Magdalen who is kneeling and has her arms wrapped around the cross while looking up at Christ. On the right is St John who is looking at the ground in despair. The frame of the Crucifixion is surrounded by instruments used in the Passion such as swords, spears and whips. At the bottom of the print, there is a Latin Inscription which has the artist's name.

Print, The Crucifixion, ca. 1590
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-102

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Venus and Cupid

Print, Venus and Cupid
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-101

This object is part of the Drawings, Prints, and Graphic Design collection.

A figure of Temperance in the center of the print located within a circular frame. The figure is looking downward toward the lower left hand corner of the print. The figure is pouring water from a bottle into a bowl within the frame. Above the circular frame, there is a latin inscription in a seashell shape figure with the name Temperania in capital letters. The circular frame is enclosed by a scrollwork frame whihc have several smaller figures in each corner which appear to be cherubs. In the top part of the frame, there are two cherubs both pouring water from a bottle into a bowl each is holding in their hands. In the bottom part of the frame, there are tow cherubs pouring water from vases into a larger bowl located below Temperance's circular frame. In the front of the bowl, there is a similar seashell shape figure as the one located at the top of the circular frame with a Latin Inscription. At the bottom of the print, there is a Latin Inscription of a Bibilical Verse from Ecclesiates in a horizontal frame.

Print, Temperance, plate 7 of "VII Virtutim...Imagines", ca. 1575
engraving on paper.
Bequest of George Campbell Cooper.
1896-3-100

This object is part of the Drawings, Prints, and Graphic Design collection.

The craggy edge of a large rock, or pile of rocks draws the eye diagonally from the upper left to the lower righthand portion of an outdoor scene, where a group is assembled around a stone tomb. Four haloed figures (two men and two women) lower the body of Christ into a tomb. Three women are seated on the ground before the tomb, the center figure collapsed in obvious distress, her companions with their arms around her. A haloed man stands facing them, with his back to the viewer. A soldier Roman, armor, helmet and bearing a shield approaches the group from the right. In the background, beneath a sky streaked with clouds, three crosses stand upon another rocky hilltop. The center cross has a placard raised above it.

Print, The Entombment, ca. 1485
engraving on laid paper.
Bequest of George Campbell Cooper.
1896-3-1

This object is part of the Drawings, Prints, and Graphic Design collection.

Drawing, Detail, bed alcove, Palace of Fontainebleau

Drawing, Detail, bed alcove, Palace of Fontainebleau
brush and watercolor, tempera, chinese white on heavy paper.
Gift of Mrs. Lloyd S. Bryce.
1896-29-9

This object is part of the Drawings, Prints, and Graphic Design collection.

Drawing, Section of wall, Guard Room, Palace of Fontainebleau

Drawing, Section of wall, Guard Room, Palace of Fontainebleau
brush and watercolor, tempera on heavy paper.
Gift of Mrs. Lloyd S. Bryce.
1896-29-8

This object is part of the Drawings, Prints, and Graphic Design collection.

Drawing, Detail of panel of Salon of Louis XIII

Drawing, Detail of panel of Salon of Louis XIII
brush and watercolor, tempera on heavy paper.
Gift of Mrs. Lloyd S. Bryce.
1896-29-7

This object is part of the Drawings, Prints, and Graphic Design collection.