Objects tagged roosters
We have 11 objects tagged roosters.
- Textile, Rooster, 1892
- cotton.
- Gift of Harvey Smith.
- 1964-53-1
- This object is part of the Textiles Department collection.
- There are 2 images of this object.
- Drawing, Design for Candelabrum and Panel of Grotesques
- pen and brown ink on paper, lined.
- 1956-41-1
- This object is part of the Drawings, Prints, and Graphic Design collection.
- There are 2 images of this object.
![Poster (folded to be mailer brochure) to announce American Institute of Graphic Arts (AIGA) Fall 1997 Conference in New Orleans. Recto: Main image is color image of white headless chicken running in grassy terrain; six red drops of blood arranged around throat of chicken. At far left, brown-feathered headless chicken; trees at right. From upper right, in various text styles, "BUT, HURRY! (apprearance of font similar to chicken feet)/ Jambolaya/ THE DESIGN OF CULTURE/ MEETS/ THE CULTURE OF DESIGN/ THE 1997 BIENNIAL CONFERENCE/ OF THE AMERICAN INSTITUTE OF GRAPHIC ARTS/ NEW ORLEANS/ LOUISIANA/ NOV. 13-16, 1997" (in yellow). Imprinted in handwritten cursive font around date arranged in three sections "NEW Orleans is/ THE AMERICAN MELTING POT/ AT A ROLLING BOIL,/ WHERE FRENCH, BRITISH,/ SPANISH, AFRICAN-AMERICAN/ AND NATIVE AMERICAN/ CULTURES HAVE COMBINED/ TO CREATE BREAKTHROUGHS/ IN MUSIC, ART/ LITERATURE AND FOOD./ WHAT BETTER PLACE/ FOR 2000 OF THE COUNTRY'S/ BEST GRAPHIC DESIGNERS/ TO MEET, TALK, EAT, DRINK,/ DANCE, ARGUE,think, AND LEARN/ HOW OUR WORK AFFECTS THE WORLD/ AND HOW THE WORL/ AFFECTS OUR WORK?/ (next section) FORGET ABOUT THE USUAL SUSPECTS WITH THE / SAME OLD SHOW-AND-TELL/ SLIDE SHOWS...THERE ARE DESIGN CONFERENCES YOU GO TO FOR/ INSPIRATION, AND THEN/ THERE ARE CONFERENCES/ THAT CHANGE YOUR LIFE./ THIS FALL'S AIGA CONFERENCE/ IN NEW ORLEANS WILL/ BE ALL THREE:/ DON'T EVEN THINK ABOUT MISSING IT".
At lower right corner, labels scattered with names of various participating designers. [To personalize and interact with the design, designers were asked to write their names or provide an image on a small label.] At upper right corner, vertically in yellow, imprinted in handwrinting font, "WHY A HEADLESS CHICKEN? IS IT A METAPHOR FOR THE PROFESSION?/ SHOULD WE STOP RUNNING AROUND LIKE ONE AND SIGN UP/ FOR THIS VERY INTERESTING CONFERENCE?/ IS IT A VOODOO SYMBOL?/ ANTI TECHNOLOGY?/ WILL A MIXTURE OF TELEPHONE SCRIBBLES AND TURN OF THE CENTURY/ ART BRUT REALLY BE THE HOT NEW STYLE REPLACING WOOD VENEER/ ITSY-BITSY TYPE BOXES AND AROUND CORNERS? WASN'T NEW Simplicity SUPPOSED TO COME FIRST? EURO-TECHNO?"
Verso: Poster organized into 12 sections based on folds. From from top left to right:
Section 1: "ADDED ATTRACTIONS"
Section 2: "Main Stage speakers"
Section 3: for mailing, postage, mailing address, etc.
Section 4,8,12: "The Speakers. that WILL COME" followed by list of various designers participating in this event.
Section 5: "CONFERENCE/ Registration"
Section 6: "AFTERNOON PANEL DISCUSSION/ FRIDAY"
Section 7:"And always remember: Style=FART/ JAMBALAYA/ New Orleans"
Section 9: "AIGA Membership"
Section10: SATURDAY MORE AFTERNOON PANEL DISCUSSION"
Section11: "New Orleans Jambalaya" and color photographic reproduction of head of chicken. When folded, this page is cover page.](https://images.collection.cooperhewitt.org/65047_72b43ac97834ab74_n.jpg "Poster (folded to be mailer brochure) to announce American Institute of Graphic Arts (AIGA) Fall 1997 Conference in New Orleans. Recto: Main image is color image of white headless chicken running in grassy terrain; six red drops of blood arranged around throat of chicken. At far left, brown-feathered headless chicken; trees at right. From upper right, in various text styles, \"BUT, HURRY! (apprearance of font similar to chicken feet)/ Jambolaya/ THE DESIGN OF CULTURE/ MEETS/ THE CULTURE OF DESIGN/ THE 1997 BIENNIAL CONFERENCE/ OF THE AMERICAN INSTITUTE OF GRAPHIC ARTS/ NEW ORLEANS/ LOUISIANA/ NOV. 13-16, 1997\" (in yellow). Imprinted in handwritten cursive font around date arranged in three sections \"NEW Orleans is/ THE AMERICAN MELTING POT/ AT A ROLLING BOIL,/ WHERE FRENCH, BRITISH,/ SPANISH, AFRICAN-AMERICAN/ AND NATIVE AMERICAN/ CULTURES HAVE COMBINED/ TO CREATE BREAKTHROUGHS/ IN MUSIC, ART/ LITERATURE AND FOOD./ WHAT BETTER PLACE/ FOR 2000 OF THE COUNTRY'S/ BEST GRAPHIC DESIGNERS/ TO MEET, TALK, EAT, DRINK,/ DANCE, ARGUE,think, AND LEARN/ HOW OUR WORK AFFECTS THE WORLD/ AND HOW THE WORL/ AFFECTS OUR WORK?/ (next section) FORGET ABOUT THE USUAL SUSPECTS WITH THE / SAME OLD SHOW-AND-TELL/ SLIDE SHOWS...THERE ARE DESIGN CONFERENCES YOU GO TO FOR/ INSPIRATION, AND THEN/ THERE ARE CONFERENCES/ THAT CHANGE YOUR LIFE./ THIS FALL'S AIGA CONFERENCE/ IN NEW ORLEANS WILL/ BE ALL THREE:/ DON'T EVEN THINK ABOUT MISSING IT\".
At lower right corner, labels scattered with names of various participating designers. [To personalize and interact with the design, designers were asked to write their names or provide an image on a small label.] At upper right corner, vertically in yellow, imprinted in handwrinting font, \"WHY A HEADLESS CHICKEN? IS IT A METAPHOR FOR THE PROFESSION?/ SHOULD WE STOP RUNNING AROUND LIKE ONE AND SIGN UP/ FOR THIS VERY INTERESTING CONFERENCE?/ IS IT A VOODOO SYMBOL?/ ANTI TECHNOLOGY?/ WILL A MIXTURE OF TELEPHONE SCRIBBLES AND TURN OF THE CENTURY/ ART BRUT REALLY BE THE HOT NEW STYLE REPLACING WOOD VENEER/ ITSY-BITSY TYPE BOXES AND AROUND CORNERS? WASN'T NEW Simplicity SUPPOSED TO COME FIRST? EURO-TECHNO?\"
Verso: Poster organized into 12 sections based on folds. From from top left to right:
Section 1: \"ADDED ATTRACTIONS\"
Section 2: \"Main Stage speakers\"
Section 3: for mailing, postage, mailing address, etc.
Section 4,8,12: \"The Speakers. that WILL COME\" followed by list of various designers participating in this event.
Section 5: \"CONFERENCE/ Registration\"
Section 6: \"AFTERNOON PANEL DISCUSSION/ FRIDAY\"
Section 7:\"And always remember: Style=FART/ JAMBALAYA/ New Orleans\"
Section 9: \"AIGA Membership\"
Section10: SATURDAY MORE AFTERNOON PANEL DISCUSSION\"
Section11: \"New Orleans Jambalaya\" and color photographic reproduction of head of chicken. When folded, this page is cover page.")
- Poster, Hurry!, 1997
- offset lithograph on paper.
- Gift of Sagmeister, Inc..
- 2000-61-5
- This object is part of the Drawings, Prints, and Graphic Design collection.
- There are 3 images of this object.
- Sidewall, Battle of Porte St. Denis, ca. 1830
- block printed on handmade paper.
- Gift of Katzenbach and Warren Inc..
- 1964-37-8
- This object is part of the Wallcoverings collection.
- There are 4 images of this object.
- Rooster Figurine, ca. 1760
- soft-paste porcelain, polychrome enamels.
- Bequest of Mrs. John Innes Kane.
- 1926-22-479
- This object was made by Bow Porcelain Factory.
- This object is part of the Product Design and Decorative Arts collection.
- There are 2 images of this object.
- Sidewall, The House that Jack Built, 1886
- machine-printed paper.
- Gift of Grace Lincoln Temple.
- 1938-62-57
- This object was made by Jeffrey & Company.
- This object is part of the Wallcoverings collection.
- There are 3 images of this object.
- Textile, Independence Day, 1957
- cotton.
- Gift of Paula Habig.
- 1958-73-1
- This object is part of the Textiles Department collection.
- There are 2 images of this object.
- Man's Mantle (hinggi) (Indonesia), 19th century
- cotton.
- Gift of Alan L. Wolfe.
- 1962-233-13
- This object is part of the Textiles Department collection.
- There are 4 images of this object.
- Sidewall (USA), ca. 1955
- machine-printed paper.
- Gift of Suzanne Lipschutz.
- 1991-89-107
- This object is part of the Wallcoverings collection.
- There are 2 images of this object.
- Overdoor (France), ca. 1825
- block-printed on handmade paper.
- Gift of Eleanor and Sarah Hewitt.
- 1931-45-81
- This object is part of the Wallcoverings collection.
- There are 2 images of this object.
- Textile (USA), 1970–79
- cotton.
- Gift of John Rieck.
- 1978-129-3
- This object is part of the Textiles Department collection.
- There are 2 images of this object.
