George Campbell Cooper | People | Collection of Cooper Hewitt, Smithsonian Design Museum

We have 369 objects involving George Campbell Cooper and this is page 8 of 11

A faded print that has Dante as the main figure in the center. He is wearing a wreath on his head and a robe with a hood. He is surrounded by four ugly men. In clockwise manner: The man on his left has one arm around Dante's waist. The next man in the upper left hand corner has his head tilted back and his mouth open in laughter. In the upper right hand corner, the man is looking directly at Dante and the man below him with a smirk on his face. The man on Dante's right is looking directly at Dante with a wry smile on his face. At the bottom of the print there is text that reads as follows: Dante, In His Majesty's Collection. There is also text below the title which is unreadable. In the lower left and right hand corners below the frame can be seen the artist's signatures.

Print, Dante and Other Poets, 1806
line engraving in brown ink on brown paper.
Bequest of George Campbell Cooper.
1896-3-298

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, A Man's Head, 1806
stipple engraving in red ink on brown paper.
Bequest of George Campbell Cooper.
1896-3-299

This object is part of the Drawings, Prints, and Graphic Design collection.

A young woman is in the center of the print. She is looking down toward her left with a shy smile on her face. She is wearing her hair coiled in braids. Below the frame there are the artist's signature on the left and right sides. At the bottom center of the print, there is text that reads as follows: In His Majesty's Collection. Below the text there is more text but it is unreadable due to the size of the print.

Print, Female Head, 1806
line engraving in brown ink on brown paper.
Bequest of George Campbell Cooper.
1896-3-300

This object is part of the Drawings, Prints, and Graphic Design collection.

Caracci is facing front and looking slightly toward his right. He has short cropped hair. Caracci's ears are slightly protruding from his head. He has slightly thick eyebrows and well defined eyes, nose and lips. He is wearing elegant clothing which is seen by the ruffled collar in the print. Below the frame there are the artist's signature on the left and right sides. At the bottom center of the print, there is text that reads as follows: Portrait of An.Caracci In His Majesty's Collection. Below the text there is more text but it is unreadable due to the size of the print.

Print, Self-Portrait of A. N. Carracci, 1796
engraving in the crayon manner on pale pink paper.
Bequest of George Campbell Cooper.
1896-3-301

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Abraham Entertaining Three Angels

Print, Abraham Entertaining Three Angels
etching and line engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-302

This object is part of the Drawings, Prints, and Graphic Design collection.

A bearded man with long hair is gazing upward toward the sky. His long hair is white and is connected to his beard which is white as well. He has creases in his forehead along with wispy eyebrows which are grayish white. He is wearing a robe as well. Below the frame (on the left and right sides) is small text that appears to be the artist's signatures. At the bottom center of the print, there is text that reads as follows: In His Majesty's Collection. Below the text there is a tag with the number 302 printed on it. Below it there is more text but it is unreadable due to the size of the print.

Print, An Old Man's Head, 1796
stipple with etching in sanguine and brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-303

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Jacob's Vision

Print, Jacob's Vision
line engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-304

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Monk's Head

Print, Monk's Head
stipple engraving in sanguine ink on white paper.
Bequest of George Campbell Cooper.
1896-3-305

This object is part of the Drawings, Prints, and Graphic Design collection.

Pyrrhus is lying on a cushion in his mother's lap. She is drying him with a cloth near the fire, which is on our right. To our left, there are three women looking at both of them. In the background, on the left side, there is a woman lying on a bed. Next to the bed, there are three women standing behind the bed. On the right side, there is a doorway, which is occupied by three more women. One of them has their back to the observer. Below the frame (on the left and right sides) is small text that appears to be the artist's signatures. At the bottom center of the print, there is more text but it is unreadable due to the size of the print.

Print, Birth of Pyrrhus, 1797
line and stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-306

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, A Young Man's Head

Print, A Young Man's Head
stipple engraving in brown and sanguine ink on brown paper.
Bequest of George Campbell Cooper.
1896-3-307

This object is part of the Drawings, Prints, and Graphic Design collection.

An old man, with a great white beard, is looking upward toward the sky. He is looking slightly toward his right. He is also wearing a robe which is visible in the lower left hand corner of the frame. The sketching appears to have an orange tint which makes it stand out more against the white background of the paper. In the lower left and right hand corners of the frame can be seen the artist's signatures. In the bottom center of the print can be seen more text but it is unreadable.

Print, Old Man's Head, 1796
engraving in the crayon manner in red-brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-308

This object is part of the Drawings, Prints, and Graphic Design collection.

An angel flying over the landscape carrying a small child in each arm. Below him are several different scenes. From left to right, there is a man sleeping on top of a rock. In the center foreground and background, are several farms and farmers with trees surrounding the farms. The farm in the background has smoke emanating from its chimney. On the right, there are cattle sleeping on the ground with a lake in the background. In the lake can be seen several ships going across the horizon.

Print, Angel with Two Children in Her Arms, 1764
engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-309

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Head of Christ

Print, Head of Christ
stipple engraving in color and black ink on white paper.
Bequest of George Campbell Cooper.
1896-3-310

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, The First Lesson

Print, The First Lesson
stipple engraving in brown ink and white paper.
Bequest of George Campbell Cooper.
1896-3-311

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Magdalen

Print, Magdalen
stipple engraving on white paper.
Bequest of George Campbell Cooper.
1896-3-312

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Geography

Print, Geography
etching and crayon engraving in brownish-black ink on paper.
Bequest of George Campbell Cooper.
1896-3-313

This object is part of the Drawings, Prints, and Graphic Design collection.

In an oval frame, a mother is fleeing from a fire, which can be seen in the background to her right. The woman has her hair streaking in different directions. She is also with four children, three of them which she is carrying. Two are being carried in her left arm, one being held close to her bosom while the other is being carried in her hand. The other is being carried in her right hand. The fourth child is standing to her left with arms and hands outstretched in the air. The child has a look of fear and anguish on its face. In the background, in additon to the flames, there are public buildings and a thin crescent moon. Below the frame, there are two signatures (one on each side of the frame) which appear to be the artist's signatures. In the bottom center of the print, there is text which reads as follows: 'The Distressed Mother'. Below the title there is more text which reads as follows: [London: Published as the Act directs 1 March 1785, by W. Byrne, No.79 Titchfield Street]

Print, The Distressed Mother, 1785
engraving on white paper.
Bequest of George Campbell Cooper.
1896-3-314

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Love Cares'd

Print, Love Cares'd
stipple engraving in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-315

This object is part of the Drawings, Prints, and Graphic Design collection.

Beauty, lightly clothed in a dress, is accompanied by Amor, the winged angel of Love. She is moving toward her right with the winged angel carrying a torch to light their path. However, her path is blocked by Prudence, who is wearing armor and carrying her staff. Behind Prudence is another angel who is looking onto the scene and pointing to both figures with its right hand. In the far background, on the right, there is a large mountain. At the bottom of the frame, there are two signatures (one on each side), which are believed to be the artist's signatures.

Print, Prudence and Beauty, 1782
stipple engraving in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-316

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Ceres
stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-317

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Pomona
stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-318

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Wisdom – Sapience

Print, Wisdom – Sapience
stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-319

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Boys at Play

Print, Boys at Play
engraving in sanguine ink on white paper.
Bequest of George Campbell Cooper.
1896-3-320

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Minerva and Mercury

Print, Minerva and Mercury
aquatint engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-323

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Religion

Print, Religion
stipple engraving and etching in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-324

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Griselda

Print, Griselda
stipple engraving and etching in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-325

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Cupid
stipple engraving in purple ink on paper.
Bequest of George Campbell Cooper.
1896-3-326

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Una and the Lion, from Spenser's "Faerie Queen"

Print, Una and the Lion, from Spenser's "Faerie Queen"
stipple engraving in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-327

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, A Woman Turned in Profile to the Right
stipple engraving on paper.
Bequest of George Campbell Cooper.
1896-3-328

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, A Young Woman Withdrawing Her Veil

Print, A Young Woman Withdrawing Her Veil
stipple engraving on paper.
Bequest of George Campbell Cooper.
1896-3-329

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Rinaldo and Armida

Print, Rinaldo and Armida
stipple engraving in sanguine ink on paper.
Bequest of George Campbell Cooper.
1896-3-330

This object is part of the Drawings, Prints, and Graphic Design collection.

A woman and a child are underneath a palm tree. Both of them are wearing cloths which cover the lower parts of their bodies. On the left, the woman is sitting with the left part of her body positioned against the trunk of the palm tree. She is resting her right hand on her right knee. She is looking directly at the child who is on the other side of tree. The child is on its knees with what appears to be a fruit in its hands. The child is making an attempt to stand up. In the background, the woman, child and tree are surrounded by several different types of plants.

Print, Vignette for "The Gardens" of the Abbé de Lille, 1798
etching with line engraving on paper.
Bequest of George Campbell Cooper.
1896-3-331

This object is part of the Drawings, Prints, and Graphic Design collection.

A putto is sitting against a rock. He has his legs crossed. He has his left hand pressed against its head in a state of mourning. In the background, on the left, are several ships heading out to sea. On the rock is inscribed the name: [CAPTAIN / COOK]. Below the print, there is text which we believe to be the artist's signature. However, the text is too small to make such a determination.

Print, Vignette for "The Gardens" of the Abbé de Lille, 1798
etching with line engraving on paper.
Bequest of George Campbell Cooper.
1896-3-332

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Portrait of a Lady (The Grecian Daughter), 1780
stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-334

This object is part of the Drawings, Prints, and Graphic Design collection.

In an oval frame, Hope, with her hair tied by ropes, is looking at the observer with a look of perplexion. On her left side, two objects can be seen. She is holding a curved spike in her left hand and a rope around her arm. The rope is also wrapped around her waist. She is also wearing a loose blouse with a low neckline and a dress. The blouse is white and the dress is a black color. In the background are a cliff and several mountains. At the bottom of the frame, there are two signatures (one on each side), which are believed to be the artist's signatures: [I.H. Ramberg] on the left and [F. Bartolozzi] on the right. In the bottom center of the print, there is text which reads [HOPE].

Print, Hope, 1787
stipple engraving in brown ink on white paper.
Bequest of George Campbell Cooper.
1896-3-335

This object is part of the Drawings, Prints, and Graphic Design collection.