Poster, Artificial Nature, Poster for Exhibition at Deste Foundation for Contemporary Art, Athens, Greece, June 20–September 15, 1990, 1990 | Images | Objects | Collection of Cooper Hewitt, Smithsonian Design Museum

We have 5 images of Poster, Artificial Nature, Poster for Exhibition at Deste Foundation for Contemporary Art, Athens, Greece, June 20–September 15, 1990, 1990 .

Photographic color reproduction of a beach with a sculpture in the right foreground by Ashley Bickerton. The sculpture is a floating waste transporter with yellow floatation tanks, with the following text printed in white across the front: FLOATING TRANSPORTER FOR THE WASTE PRODUCT OF ITS OWN CONSUMPTION. Printed in yellow ink, block text, top center: ARTIFICIAL. Printed in white block letters inside a black rectangle, directly below: NATURE. The exhibition dates, location, opening times, list of participating artists, curator's name, contact information, and publication details are printed in white across the lower portion of the sheet in English and Greek. Verso: Eight color photographic reproductions with short phrases of different sizes in yellow text inside black boxes superimposed, creating captions that are juxtaposed with the images. The images are as follows, top row, from left to right: a woman's face with a test tube; a muscle man in water; computer simulation of a seated infant; a nude male in a landscape. Bottom row, from left to right: Elvis Presley waterskiing; a woman in a sauna; a robotic arm; an abnormally shaped child's head. The words appear as follows, top row, from left to right: culture; packaged; artificial intelligence; hyperhuman; computer simulation; genetic engineering; post-natural nature; radical spirit; fantasy. Bottom row, from left to right: virtual reality; surrealized; plasticized; geometric abstraction; self improvement; biotechnology; waste products; mutations; end.

Photographic color reproduction of a beach with a sculpture in the right foreground by Ashley Bickerton. The sculpture is a floating waste transporter with yellow floatation tanks, with the following text printed in white across the front: FLOATING TRANSPORTER FOR THE WASTE PRODUCT OF ITS OWN CONSUMPTION. Printed in yellow ink, block text, top center: ARTIFICIAL. Printed in white block letters inside a black rectangle, directly below: NATURE. The exhibition dates, location, opening times, list of participating artists, curator's name, contact information, and publication details are printed in white across the lower portion of the sheet in English and Greek. Verso: Eight color photographic reproductions with short phrases of different sizes in yellow text inside black boxes superimposed, creating captions that are juxtaposed with the images. The images are as follows, top row, from left to right: a woman's face with a test tube; a muscle man in water; computer simulation of a seated infant; a nude male in a landscape. Bottom row, from left to right: Elvis Presley waterskiing; a woman in a sauna; a robotic arm; an abnormally shaped child's head. The words appear as follows, top row, from left to right: culture; packaged; artificial intelligence; hyperhuman; computer simulation; genetic engineering; post-natural nature; radical spirit; fantasy. Bottom row, from left to right: virtual reality; surrealized; plasticized; geometric abstraction; self improvement; biotechnology; waste products; mutations; end.

Photographic color reproduction of a beach with a sculpture in the right foreground by Ashley Bickerton. The sculpture is a floating waste transporter with yellow floatation tanks, with the following text printed in white across the front: FLOATING TRANSPORTER FOR THE WASTE PRODUCT OF ITS OWN CONSUMPTION. Printed in yellow ink, block text, top center: ARTIFICIAL. Printed in white block letters inside a black rectangle, directly below: NATURE. The exhibition dates, location, opening times, list of participating artists, curator's name, contact information, and publication details are printed in white across the lower portion of the sheet in English and Greek. Verso: Eight color photographic reproductions with short phrases of different sizes in yellow text inside black boxes superimposed, creating captions that are juxtaposed with the images. The images are as follows, top row, from left to right: a woman's face with a test tube; a muscle man in water; computer simulation of a seated infant; a nude male in a landscape. Bottom row, from left to right: Elvis Presley waterskiing; a woman in a sauna; a robotic arm; an abnormally shaped child's head. The words appear as follows, top row, from left to right: culture; packaged; artificial intelligence; hyperhuman; computer simulation; genetic engineering; post-natural nature; radical spirit; fantasy. Bottom row, from left to right: virtual reality; surrealized; plasticized; geometric abstraction; self improvement; biotechnology; waste products; mutations; end.

Photographic color reproduction of a beach with a sculpture in the right foreground by Ashley Bickerton. The sculpture is a floating waste transporter with yellow floatation tanks, with the following text printed in white across the front: FLOATING TRANSPORTER FOR THE WASTE PRODUCT OF ITS OWN CONSUMPTION. Printed in yellow ink, block text, top center: ARTIFICIAL. Printed in white block letters inside a black rectangle, directly below: NATURE. The exhibition dates, location, opening times, list of participating artists, curator's name, contact information, and publication details are printed in white across the lower portion of the sheet in English and Greek. Verso: Eight color photographic reproductions with short phrases of different sizes in yellow text inside black boxes superimposed, creating captions that are juxtaposed with the images. The images are as follows, top row, from left to right: a woman's face with a test tube; a muscle man in water; computer simulation of a seated infant; a nude male in a landscape. Bottom row, from left to right: Elvis Presley waterskiing; a woman in a sauna; a robotic arm; an abnormally shaped child's head. The words appear as follows, top row, from left to right: culture; packaged; artificial intelligence; hyperhuman; computer simulation; genetic engineering; post-natural nature; radical spirit; fantasy. Bottom row, from left to right: virtual reality; surrealized; plasticized; geometric abstraction; self improvement; biotechnology; waste products; mutations; end.

Photographic color reproduction of a beach with a sculpture in the right foreground by Ashley Bickerton. The sculpture is a floating waste transporter with yellow floatation tanks, with the following text printed in white across the front: FLOATING TRANSPORTER FOR THE WASTE PRODUCT OF ITS OWN CONSUMPTION. Printed in yellow ink, block text, top center: ARTIFICIAL. Printed in white block letters inside a black rectangle, directly below: NATURE. The exhibition dates, location, opening times, list of participating artists, curator's name, contact information, and publication details are printed in white across the lower portion of the sheet in English and Greek. Verso: Eight color photographic reproductions with short phrases of different sizes in yellow text inside black boxes superimposed, creating captions that are juxtaposed with the images. The images are as follows, top row, from left to right: a woman's face with a test tube; a muscle man in water; computer simulation of a seated infant; a nude male in a landscape. Bottom row, from left to right: Elvis Presley waterskiing; a woman in a sauna; a robotic arm; an abnormally shaped child's head. The words appear as follows, top row, from left to right: culture; packaged; artificial intelligence; hyperhuman; computer simulation; genetic engineering; post-natural nature; radical spirit; fantasy. Bottom row, from left to right: virtual reality; surrealized; plasticized; geometric abstraction; self improvement; biotechnology; waste products; mutations; end.