Drawing, Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy, 1670–72 | Images | Objects | Collection of Cooper Hewitt, Smithsonian Design Museum

We have 2 images of Drawing, Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy, 1670–72 .

Drawing in three registers. Upper register, garlands are suspended from a large mask which is flanked by open scrolls; central register, two male nudes (slave figures in the style of Michelangelo) rest neatly within each curving concave side of the base flanking a framed central oval medallion; lower register, volutes and lion paws with the Farnese crest at center. The left half of the sheet is more finished. Verso: Figures in a tondo. Left foreground, the Madonna is shown seated supporting the dead Christ in her lap; right foreground, the Magdalene kneels beside the Madonna behind which an unidentified figure stands. Left background, the Cross is faintly suggested. Upper edge of tondo, angels' heads.

Drawing in three registers. Upper register, garlands are suspended from a large mask which is flanked by open scrolls; central register, two male nudes (slave figures in the style of Michelangelo) rest neatly within each curving concave side of the base flanking a framed central oval medallion; lower register, volutes and lion paws with the Farnese crest at center. The left half of the sheet is more finished. Verso: Figures in a tondo. Left foreground, the Madonna is shown seated supporting the dead Christ in her lap; right foreground, the Magdalene kneels beside the Madonna behind which an unidentified figure stands. Left background, the Cross is faintly suggested. Upper edge of tondo, angels' heads.