Poster, Soul and Material Things, ICSID 1973, Kyoto

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Object Timeline

1973	Work on this object began.
1980	We acquired this object.
2013	We photographed this object.
2021	You found it!

Poster, Soul and Material Things, ICSID 1973, Kyoto

This is a Poster. It was printed by Toppan Printing Co. Ltd.. We acquired it in 1980. Its medium is offset lithograph on paper, lined. It is a part of the Drawings, Prints, and Graphic Design department.

Yusaku Kamekura blends the classicism of Japanese design with the modern influence of the West to produce a remarkable hybridization in his work. He uses the tenets of simplicity inherent in each discipline to produce work that is clean yet complex. Working in a monochromatic palette for this poster for the 1973 ICSID conference in Kyoto, Kamekura aligns the concentric rings of a sphere to create depth and three-dimensionality in a two-dimensional plane. The resulting image appears to be activated on the page, with the cube floating in the middle.

Poster depicting a frontal, partial silhouette of a man, against a blue, green, and yellow background (colors fade into each other, from top to bottom). The man is covered with colorful text and imagery, suggesting the power of mass communication. A spinning gear appears in place of his genitalia. Printed in blue ink, along top: THE BIGGEST VISUAL POWER SHOW; in blue and yellow ink, center: NEXT NATURE. Other text printed in red, yellow, orange, blue, white, and green in various places across man's body.

Poster, Next Nature, 2006
digital print on paper.
Gift of Mieke Gerritzen.
2009-39-8

In a circular pattern, blue-violet foliate decoration in concentric circles; on one of the interior circles, text in white: THIS BEING THE FIRST IN A SERIES OF POSTERS, FEATURING AN EXALTATION OF PROTEAN ORNAMENT AND OTHER FANCY STUFF / WHEREIN MEDIAEVAL METAL MEETS PSYCHEDELIC NEO-VICTORIANA, ALL SURROUNDING A GOOEY CENTER OF EARTHWORMS. Along left edge: design illustration by / MARIAN BANTJES; available at: QUATRIFOLIO.COM / or contact / MB@

Poster, Self Promotion: This Being a First in a Series of Posters, Featuring...
off-set lithograph on white wove paper.
Gift of Marian Bantjes.
2007-25-4

On white background, two jagged, jaw-like black shapes converge at center, forming a triangular shape between them. Directly below the apex of this triangular lacuna is a black circle. Inscriptions: at top- "NUSSKNACKER / opernhaus", directly below the black circle- "ab 24. oktober 92 bis marz 93 Peter I. Tschaikowski Oleg Caetani Bernd Roger Bienert Mario Botta Keso Dekker Jurg Hammerli Orchester der Oper Zurich", and at bottom- "ZURCHER BALLETT".

Poster, Nussknacker [The Nutcracker], 1993
screenprint on wove paper.
Gift of Sara and Marc Benda.
2010-21-59

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Advertisement proof for CCA. A target viewfinder with a bullseye appears in the middle of the composition with the numbers 100, 150, and 200 printed in black to indicate different rings. Four black planes head towards a small black dot in the center, and the background is a light blue sky containing white clouds. A black shadowy border surrounds the viewfinder. In the bottom right corner, a small closed package appears alongside a larger open package. Printed in black ink, diagonally, lower left: AIM HIGH! Military production sights are set high — because quantities of metals, / plastics, wood are released by new packaging in paper. / CONTAINER CORPORATION OF AMERICA.

Print, Aim High!, 1943
offset lithograph on glossy white paper.
Museum purchase with funding provided by the Buddy Taub Foundation, Dennis A.....
2016-54-55

Poster depicts three circles in vertical placement, red, yellow and blue, overlayed by black concenctric circles with vertical stripes; somewhat remeniscent of a thumbprint. Upper margin, in gray: atomo per la pace; lower margin: GENERAL DYNAMICS.

Poster, Atomo per la pace, General Dynamics, 1956
offset lithograph on paper.
Gift of Arthur Cohen and Daryl Otte in memory of Bill Moggridge.
2013-42-3

Vertical rectangle. Exhibition poster image comprised of a light blue circle (like a pure, perfectly-formed lens) set onto the center of a black horizontal bar/base. This dominant, geometric image (set against a white background) is flanked by two vertical, diaphanous bands bearing the names of the photographer "Alberto Flammer" (left) and the artist "Flavio Paolucci" (right).

Poster, Alberto Flammer/Flavio Paolucci, Museo Cantonale d'Arte, Lugano,...
offset lithograph on paper.
Gift of Elaine Lustig Cohen.
2002-15-3

Cite this object as

Poster, Soul and Material Things, ICSID 1973, Kyoto; Printed by Toppan Printing Co. Ltd. ; Japan; offset lithograph on paper, lined; 1980-32-1237

Short URL http://cprhw.tt/o/2CQWM/
Accession Number 1980-32-1237
Object ID 18505177