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Object ID #18468717

This is a Drawing. We acquired it in 1969. Its medium is black crayon, stumped, pen and black ink, brush and black wash, varnish on illustration board. It is a part of the Drawings, Prints, and Graphic Design department.

The skyscraper, symbol of New York City and emblem of American culture, is envisioned in this charismatic architectural rendering by Hugh Ferriss, one of a series of four drawings that show how the city's landmark 1916 "set-back" law would produce the stepped architectural silhouette now familiar from iconic structures such as the Waldorf Astoria and the Empire State Building. The limitations imposed on maximum mass were designed to allow light into city streets, and to allay public fears that the new monoliths would turn city streets into canyons of darkness.

This object was featured in our Object of the Day series in a post titled Mod Metropolis.

Our curators have highlighted 8 objects that are related to this one. Here are three of them, selected at random:

Cite this object as

Object ID #18468717; USA; black crayon, stumped, pen and black ink, brush and black wash, varnish on illustration board; 1969-137-4

We have 1 media file that features Object ID #18468717.

"Sugar Foot Stomp," Fletcher Henderson and His Orchestra (1925)

The Hugh Ferriss drawing, Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 4 seemed to call out for the Fletcher Henderson Orchestra with Louis Armstrong. In “Sugar Foot...

This object was previously on display as a part of the exhibitions The Jazz Age: American Style in the 1920sMaking Design and The Cooper-Hewitt Collections: A Design Resource.

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<ref name=CH>{{cite web |url= |title=Object ID #18468717 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=17 January 2020 |publisher=Smithsonian Institution}}</ref>